Painting jazz: Chicago artist sketches the scene
 

Fareed Haque is a modern guitar virtuoso. Steeped in classical and jazz traditions, his unique command of the guitar and different musical styles inspire his musical ventures with tradition and fearless innovation.

Born in 1963 to a Pakistani father and Chilean mother, Fareed’s extensive travels and especially long stays in Spain, France, Iran, Pakistan, and Chile exposed Haque to different kinds of music from a very early age. While this natural eclecticism has become a hallmark of Haque’s music, it was repeated visits to Von Freeman’s Chicago jam sessions that gave Haque a grounding in the Chicago blues and jazz traditions. The 1981 recipient of North Texas State University’s Jazz Guitar Scholarship, Haque spent a year studying with renowned jazz guitarist and pedagogue Jack Peterson. Fareed’s growing interest in the classical guitar led him to transfer to Northwestern University, where he completed his studies in classical guitar under David Buch, John Holmquist, and Anne Waller.

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Soon after his transfer to NU, Haque came to the attention of multi-instrumentalist Howard Levy and joined his latin-fusion group Chevere. Thru Levy, Haque was introduced to Paquito D’Rivera and began a long and fruitful relationship with the Cuban NEA Jazz Master. Numerous world tours and recordings including Manhattan Burn, Celebration, Havana Cafe, Tico Tico, Live at the MCG were to follow. Especially notable is the classic and award winning “Reunion” featuring Haque along with Arturo Sandoval, Danilo Perez, Giovanni Hidalgo, Mark Walker, and David Fink.

Thru D’Rivera, Haque was brought to the attention of Sting, who had just begun his record label Pangaea. Sting invited Haque to join the label where he released 2 critically acclaimed recordings, “Voices Rising” and “Manresa”. Haque toured briefly with Sting, including notable appearances at The Montreux Jazz Festival, as well as NBC’s Michelob Presents Sunday Night with David Sanborn, but his own career demands led Haque in other directions.

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After a short stint at Warner Bros. recording “Majestad” (unreleased and featuring John Patitucci, Michael Landau, Russel Ferrante, Grazinha, Lenny Castro, and Carlos Vega), Bruce Lundvall signed Haque to the legendary Bluenote Records. While at Bluenote, Haque recorded three albums as a leader: “Sacred Addiction”, “Opaque”, and “Déjà vu”. Haque toured and recorded extensively with other artists, including tours and 3 CDs with Javon Jackson: “A Look within”, “For One Who Knows”, and “Good People”. In addition, sideman credits include tours and recordings with Joe Henderson, Herbie Mann, Bob James, Richie Cole, Joey Calderazzo, Kahil El Zabar and the Ethnic Heritage Ensemble, and numerous Bluenote recordings for producer/arranger Bob Belden alongside Cassandra Wilson, Dianne Reeves, Joe Lovano, Paul Motian, and many others. Numerous classical recitals, as well as appearances with the Vermeer Quartet and many symphonies across the US and abroad, added to an incredible diversity of performances during this period.

Thru Belden, Haque was invited to join forces with Joe Zawinul as part of his Zawinul Syndicate. The group proved to be one of Joe’s best and most eclectic. Included were percussionist and vocalist Arto Tuncboyacian, drummer Paco Sery, bassist Mathew Garrison, along with Haque on a hybrid acoustic ‘Guistar’ and Electric Guitar. A year of extensive touring brought Haque closer to his Jazz/Rock roots.

In 2001, Haque’s interest in jam bands and the jam scene led him to co-found the jam super-group Garaj Mahal featuring Kai Eckhardt, Eric Levy, and Alan Hertz. This began 10 years of extensive touring across the US, performing in excess of 200 shows per year. Haque also joined George Brooks’ group Summit, featuring Zakir Hussain and Steve Smith. Haque was voted ‘Most Valuable Player’ at the 2002 High Sierra Music Festival. Haque and Garaj Mahal released 3 Live CDs as well as 5 studio CDs: “Mondo Garaj”, “Blueberry Cave”, “w00t”, “More Mr. Nice Guy”, and “Discovery”, which featured Haque’s debut of the Moog Guitar.

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In 2004, Fareed premiered his “Lahara Double Concerto” for Sitar/Guitar and Tabla with The Chicago Sinfonietta at Symphony Center in Chicago, under the baton of maestro Paul Freeman, featuring tabla virtuoso Ustad Zakir Hussain, to whom the work is dedicated.

In 2006, Fareed was commissioned to compose a classical guitar concerto for the Fulcrum Point Ensemble. His “Gamelan Concerto” was premiered in May of ’06 at The Harris theatre in Millenium Park.

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In 2007, Garaj Mahal won an Independent Music Award.

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In 2009 Haque was voted ‘Best World Guitarist’ by Guitar Player Magazine’s Readers’ poll. His acclaimed 2009 release Flat Planet was twice #1 on the World Jazz Radio charts.

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After 10 years of over 2000 dates with Garaj Mahal, Haque’s interest in electronic music and the Moog Guitar spurred him to leave Garaj Mahal and form Fareed Haque’s MathGames, featuring bassist Alex Austin and drummer Greg Fundis.

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Notable events during this time include Haque performing and assistant directing the first Jazz Festival in Frutillar, Chile under his mentor and friend Paquito D’Rivera, and appearances with his own groups at Java Jazz, The Chicago Jazz Festival, The Twents Guitar Festival, The Indy Jazz Fest, Coleman Hawkins Jazz Fest, Jazz in June, The Lafayette and South Bend Jazz Festivals, Sophia Jazz Fest, Bulgaria and many others around the world. Haque also performed both the Aranjuez and Villa-Lobos guitar concertos with The Chicago Philharmonic, under the baton of Lucia Matos at Pick-Staiger Concert Hall.

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Learn more about Fareed here.

Ivan Ramos, known artistically as iRiSe, has dedicated the last twenty years to teaching, writing, and performing poetry. iRiSe has performed and collaborated with a diverse range of Chicago's talent—including musicians, producers, D.J.'s, and fellow poets. This collaborative spirit has allowed him to add his poetic voice into the rich tapestry of Chicago’s musical and spoken word landscape.

 

Ivan's artistic work is the driving force behind his advocacy for all people. His poetry is not just performance; it is a catalyst for dialogue and understanding, fueling his dedication to social justice, equity, and empowerment for all indigenous and marginalized communities.

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Visit iRise Instagram here

 

Cerqua Rivera Dance Theatre (CRDT) was born to explore and celebrate the complexities of American identity at the intersections of culture heritage & identity.

 

CRDT is led by Artistic Director Wilfredo Rivera, a Honduran native whose unique life and artistic experiences shape the company's ethos. Ceqrau Rivera artists are fearless storytellers who help people understand and engage with themselves and the world around them. With a focus on the development of high quality art, each piece the company makes centers around a specific experience. The company engages in research and radical collaboration to convey narratives through a diverse group of artists.

 

Cerqua Rivera also builds bridges with its community through local and national touring, workshops, interactive previews of work in progress, and full concerts.

 

See Chicago Dance says the company “possesses a blended magic that is difficult to come by” and “creates a deeper sense of community and intimacy.” 

 

New City Stage raves that Cerqua Rivera "speaks straight to the heart, feeding a hunger [you] may not even realize.”

 

The company will perform and excerpt from

Place Between Earth & Sky

• Curation Wilfredo Rivera

• Choreography Shannon Alvis

• Composition Clarice Assad

• Costumes Jordan Ross

• Performers: Caitlin Yatsuhashi & Bennett Cullen

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For schedule & more info. www.cerquarivera.org